lamina bar theory

Multi-robot mission cell management based on lattice theory;

采用栅格理论的多机器人系统任务元管理方法

The paper uses barrier theory to research one type of war,and constructs capture area and throat area,which are used as index to evaluate warship s operational capacity dynamically.

利用定性微分对策的界栅理论研究了一类作战问题,通过构造捕获区面积和咽喉区域面积,并以此作为动态评估舰艇作战能力的衡量指标。

These methods are compared,and the method based on blade element theory is selected in modeling of wind turbine rotor.

通过对这两种方法的比较,选用基于叶素理论的方法建立了风轮模型。

Based on the momentum-blade element theory,the geometric shape and operating conditions of the wind turbine blades were designed,and the finite element model for wind turbine blades was established.

基于动量叶素理论设计计算了风力发电机叶片几何结构形状和运行工况,建立了风力发电机叶片有限元模型,对风力发电机叶片的气动特性进行了数值研究,给出了风力机风场的风速、压强分布。

"Feng-Song-Han-Yong"and the theory of "Xie-Yun";

“讽诵涵泳”与“叶韵理论”——论朱熹《诗经》诠释学美学诠释方式之二

"Feng-Song-Han-Yong"and the theory of "Xie-Yun";

“讽诵涵泳”与“叶韵理论”——论朱熹《诗经》诠释学美学诠释方式之二

On Phonology Transformation in"Guang Yun"and Phonology at Second and Third Grade in"Yun Jin;

论《广韵》变韵与《韵镜》二、三等韵之关系

The Inner Rhythm in the History of New Poem Phonetic Format Theory;

新诗语音形式理论史上的“内在韵律论”

Syllables and Rhyme of Standard Chinese and theoretical construction of traditional opera in late Ming Dynasty;

《中原音韵》与晚明曲学的理论建构

Classical Phonological Diagram and Musical Composition of Kunqu;

等韵图在昆曲度曲理论中的运用探析

Discuss the rules or the pronunciation of Chinese “rhyme of er”;

论普通话“儿化韵”的发音原理及规则

Theoretical Features of Hu Ying ling s “On Poetry”;

格调 风神 神韵——胡应麟《诗薮》的理论特色

The Emargence of the sound“un” and the Study of its Theory in Yongsheng Dialect;

永胜方言中uen韵的产生及理论探讨

A Study of Rhyming in Poetry and Prose in the Liang Dynasty;

梁代诗文阳声韵入声韵用韵数理分析

The Theory Inquiry of Concert Treatment of Pianolude "Er Quan Ying Yue" "Chinese Rhyme"

钢琴曲《二泉映月》“中国韵味”演奏处理的理论探究

On Walter Benjamin s Aura Theory and Aesthetic Anthropology Thought;

瓦尔特·本雅明的灵韵理论与其审美人类学思想

A Research on the Theory and Practice of Establishing Creative Meter Sport Teaching for Children;

构建创意幼儿韵律体育教学的理论与实践研究

Preliminaries to the Application of Contemporary Phonological Theories to the Studies of Chinese Phonology;

当代音系理论在汉语音韵研究中的应用初探

The three aspects of writing theory of "Shen Yun Poetry Theory";

王士祯“神韵说”中文学创作理论的三个层面

Why Rhyme is Needed in the Translation of the Book of Poetry--A Comparative Study of the Renderings of We Gather Fern,the Book of Odes;

略论《诗经》英译的韵脚处理——《小雅·采薇》译文的启示

Poetic Mode and Rhyme and Light--the Evolution of the Discourse of the Artistic Theory of Poetry in China and India;

《诗式》和《韵光》——中、印诗歌艺术理论话语的嬗变

DifferentVowels in the Xieyin of Fengyayi and its Comparison with Zhongyuan Yinyun;

《风雅翼》叶音今音韵系及其与《中原音韵》的比较

An Examination of Huang Kan s View of Phonological "Interactive Variation" in His Theory of Chinese Classic Phonology --A Co-discussion on the "Conditions" for Ancient and Contemporary Phonological Variation;

黄侃先生古本音说中的声韵“相挟而变”理论——兼论古今音变的“条件”